The Unsung Heroes of Palaeosciences

In 2016, I found myself in the beautiful country of Kenya alongside a team of researchers, curators and technicians from South Africa. We were in Kenya to attend a workshop titled: Developing a collaborative pan- African approach between partner institutions in support of palaeoscientific research training and public outreach. This was the very first time I was exposed to the ‘behind the scenes’ work of palaeosciences and just how much it impacted the research I so loved.

Unsung heroes of palaeosciences Nairobi

During our time in Kenya, we attended the Unsung Heroes of Palaeontology awards ceremony, hosted at the National Museums of Kenya. I was so overwhelmed with pride when I found out that two members of our travel party were being honoured at this event, Mr Lazarus Kgasi (Senior Curatorial Assistant at Ditsong Museums) and Ms Zandile Ndaba (whom I affectionately call ‘Mama’, Technician/caster/ excavator and explorer at University of the Witwatersrand). These two incredible individuals were being celebrated for their contributions to our science, for their role in uncovering pieces of our history that help us understand who we are today, where we came from and how we fit into the puzzle of life on earth. Many other prominent fossil finders, technicians and curators were celebrated from East Africa, an evening dedicated to their contributions, but I could not help but wonder when I left, what happens now?

Often, when we discuss ‘equality’, ‘transformation’ and ‘diversity’ in academic spaces, we are usually only referring to academics and not other members of our team and community which includes technicians. When we fight for fair pay, fair treatment and recognition, I hope that we always remember that not all our colleagues are scientists in the traditional sense, but that their contributions to the science are by no means any less. Technicians perform a wide variety of roles in palaeosciences, I list a few below:

  • They are often fossil finders at the forefront of excavations (they are so talented that they can spot a fossil before any researchers do usually).
  • They are the first to see a fossil after hours and sometimes years of preparation using fine tools such as air scribes (in my eyes, they are the ones who breathe life into rock so that the scientist can tell the story). Check out this cool fossil preparation time-lapse video!
  • They assist in the education of future generations of researchers through their incredible artistry when casting fossils (we have some of the most talented casting technicians in the world and their casts are used globally in schools and museums to teach the history and importance of fossil finds in Africa)
  • They are teachers. During my time in Kenya I was exposed to the chemistry behind cast making, the big data management behind curating and the project management behind excavations. These individuals are not only technical staff, but they are also highly trained, highly specialised individuals with a vast amount of knowledge that I personally think most researchers take for granted.

zandile ndabaIn the past, technicians were often exploited, coming from a disadvantaged socio-economic background, with not many options for further education. This led to their contributions being largely ignored, while researchers accepted the glory that came along with significant finds. This is an especially sensitive reality in South Africa, where the technical workforce consisted of mostly Black Africans (and still does today). Is one prize giving in their lifetime enough? Is one moment to recognise all they have done really going to make a difference?

While I completely agree that it is important to celebrate these moments, I do believe that a greater impact, a greater change and a more meaningful exchange would be to invest in the present and future of technical work in the palaeosciences and the role of these individuals in our ongoing research. This includes skills development and certification and proper compensation. Funding is often tight in the field of palaeosciences but that can no longer be used as an excuse to exploit the hard work of individuals who deserve more, more support from us as academics, students and colleagues.

This change is on the way as more people acknowledge the contributions of technicians in their research papers, sometimes (but not often enough) they are included as co-authors. However, this is not the norm and it should be, their contributions often lay the foundation for research work. As a young woman of colour in science, I firmly believe that I cannot thrive in a research space until we all do. Aviwe Matiwane Kim Tommy

Last year, in celebration of Heritage Day, I was fortunate to give a talk at the First South African Fossil Hunters public symposium alongside my dear friend (and super incredible palaeobotanist and science communicator) Ms Aviwe Matiwane, a PhD Candidate at Rhodes University and Albany Museum. Aviwe and I had been in discussions for a while on what we would present, we had both agreed that we wanted to take this opportunity to highlight members of our community that are often forgotten. Before ending off this blog post I would like to thank the technicians and curators who have made an impact on my life. Our science is so much better for having you in it. Thank you for inspiring me, encouraging me, supporting me and motivating me. You are deeply appreciated and valued, and I promise that when we fight for a better future, we include you in it.  

Choosing to stay in agriculture … a changed perspective

I have always admired Oprah Winfrey for the kind of influence she has in making sure that the stories of people but mostly the American people were heard. Such that I was convinced I had no future in agriculture let alone Agricultural Extension. When I learned that she had studied communication at Tennessee State University I wished I had taken journalism then I would also work my way up the broadcasting industry. I kept having such thoughts regardless of the fact that my life was immersed in obtaining a Master’s degree in Agricultural Extension at the time, a research field I was convinced is not for me. 

June blog pic 1

During that time whenever people asked me what I was doing, I would say in a gloomy voice “Agricultural Extension” and never bothered to even explain (to those who didn’t understand) what exactly I am specializing in.  More often, the responses I got were “ohh that is a great field to be in” I obviously shared a different opinion to theirs because I felt stuck in Agricultural extension.

But why Oprah you might wonder…

In my view, she did a great job of creating a space where people could tell their stories on camera [besides her philanthropy work]. I empathized with the people whose stories were on her show, I rejoiced with them, took time to understand their lifestyle, their food and clothing choices. I even joined some of their movements in spirit of course… yeap, I was a real troop. In hindsight, I realize that I invested myself so much in their stories because somebody [Oprah] took the time to listen to them and to tell them thus giving the world an American perspective through the lives of ordinary citizens.

Impact on me

In 2018, I watched a Tedx talk by Komla Dumor where he was talking about the importance of the African perspective when telling African stories. In his talk, he showed two different pictures of the same city Luanda the capital city of Uganda. The one picture showed people winning and dining in a lovely beach restaurant and the other picture shows people, mostly children who were queuing in a long line for water from a single tap. He then asked a question about which story should be told about this city.  At that moment I realized I was missing the point. There was a perspective, a voice whose people I was not willing to invest time listening to, sad as it is it was the African people and their perspectives particularly those in disadvantaged communities just like the children in the second picture. I thought to myself I am African and yet I want to mimic the American way of telling stories. There would be no song and dance in these stories no African essence to them but as l long as they are done the way American television does them they were fine to me … wow, I once was lost BUT now am found.

When I started my PhD the intention was to document on camera as many stories as I could that would ultimately become a documentary and in some miraculous way it will lead me to work in television that way, I would be out of this “agricultural trap” I’m in and all this made sense in my mind. Because even after watching the talk by Komla I was not 100% convinced to stay in agriculture. I started reading about the importance of documenting African agricultural knowledge held by smallholder farmers.  I realized that their wealth of knowledge is intergenerational and we continue to draw from it. However, very little of this knowledge is being documented and much of it is being lost. This to mean there is a part of the African identity, particularly where agricultural knowledge and practices are concerned that is slowly disappearing. This made me look at my discipline in a different light after years of thinking I played myself being an agricultural extensionist. For example, when I was a Masters student at the University of Fort Hare, ARDRI a research institute at the University used to host Farmer Market Day on the 1st of every month for smallholder farmers in Keiskammahoek to come and sell their produce to the public. I made it a point to attend as many of the markets as I could to interview the farmers about their farming experiences, how and why they started farming.

June blog pic 2

I have now seen the error of my ways. The goal I am now working towards and the perspective I now have is one of creating a space where African knowledge about farming can be shared, documented and preserved. It is true that Africans have a wealth of agricultural knowledge, it is also true that not all this knowledge is always documented and when the custodians of the knowledge pass on they take their knowledge with them.

Farming is intricately woven into people’s lifestyle their religious beliefs and their cultural practices. It is more than just a food producing activity. To some Africans, it is part of the DNA of their identity. For example, there are families that would not dare rear pigs because of religious beliefs but do rear goats because they are an integral part of appeasing their ancestors during rituals. Agricultural extension has given the opportunity to converse with farmers and understand this truth.  Now, this is why I am so grateful to the agricultural extension that it did not give up on me, I can now combine what I appreciate which is agricultural extension with what I enjoy doing and that is conversing on camera.